Memories of Childhood
Class 12 English · Vistas · Chapter 6
Visual story
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- Space weighted by unit marks
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
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- Space weighted by unit marks
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- Space weighted by unit marks
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- Space weighted by unit marks
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Charts from the book's own data
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- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
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- Space weighted by unit marks
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
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- Space weighted by unit marks
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- Space weighted by unit marks
- Charts from the book's own data
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- Space weighted by unit marks
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- Space weighted by unit marks
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The story in short
This unit presents two autobiographical episodes from the lives of women from marginalised communities, who look back on their childhood and their painful encounters with the mainstream culture that oppressed them. The first account, 'The Cutting of My Long Hair', is by Zitkala-Sa (Gertrude Simmons Bonnin), a Native American woman, who recalls her bitter first day at the Carlisle Indian boarding school. She describes the cold, regimented atmosphere, the humiliating 'eating by formula', and above all the trauma of having her long hair forcibly shingled — for among her people, shingled hair was worn only by cowards and mourners, and only captured, unskilled warriors had their hair cut by the enemy. She resists fiercely, hiding and struggling, but is dragged out, tied to a chair and her braids cut off, leaving her feeling like one of many little animals driven by a herder. The second account, 'We Too are Human Beings', is by Bama, a Tamil Dalit writer, who recalls how, as a schoolgirl, she first became aware of untouchability. Dawdling home one day, she watched an elder of her community carry a packet of snacks by its string, without touching it, to hand it to an upper-caste landlord. She found it comic until her elder brother explained that the man did so because their touch was considered polluting. Filled with anger and humiliation at this injustice, Bama is advised by her brother that the way to overcome such indignity is to study hard and excel — and, inspired, she works hard and stands first in her class. Both accounts show how the seeds of rebellion against oppression are sown early in life.

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