Lost Spring
Class 12 English · Flamingo · Chapter 2
Visual story
Watch as storyTap a card to open it full-screen — swipe through like a story.
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View allCBSE Class 12 · English Core
All 13 Flamingo texts, with what 2025 asked- Marks booster + cheatsheet: key concepts in 2 lines each, common traps
- 5 poems: Q7 is always one of these
- 4 writing formats, 18 marks
- Common traps, corrected
- 8 prose pieces: events, characters, themes
- Poetic devices with short quotes
CBSE Class 12 · English Core
13 Vistas marks + 22 unseen-passage marks- Marks booster + cheatsheet: key concepts in 2 lines each, common traps
- 12 marks: unseen passage Q1, decoded
- 10 marks: case-based passage Q2, decoded
- Common traps that cost marks, listed
- Every character, with evidence and quotes
- 7 texts: plot timelines for each
The story in short
An excerpt from Anees Jung's book 'Lost Spring: Stories of Stolen Childhood', this prose piece analyses the grinding poverty and tradition that condemn children to a life of exploitation. It is told in two parts. The first follows Saheb-e-Alam, a barefoot ragpicker in Seemapuri on the edge of Delhi, whose family migrated from Bangladesh. For these squatters, garbage is gold — a means of survival — while for children it is wrapped in wonder. Saheb later takes a job at a tea-stall earning 800 rupees and meals, but loses his carefree freedom, for he is no longer his own master. The second part is set in Firozabad, the centre of India's glass-blowing and bangle-making industry, where families spend generations welding glass in dark, airless furnaces, often losing their eyesight. Mukesh, a bangle-maker's son, dares to dream of becoming a motor mechanic instead of following the family trade. The author shows how the bangle-makers are trapped in a vicious circle of poverty, the stigma of caste, and exploitation by middlemen, policemen, bureaucrats and politicians. The story contrasts the dreams of poor children with the harsh reality that crushes them, and questions a society that allows such child labour and lost childhoods.





