Complete Summary and Solutions for Telephone Conversation – Woven Words NCERT Class XI English Elective, Chapter 4 – Summary, Explanation, Questions, Answers
A powerful poem by Wole Soyinka that deals with race and racism through a telephone conversation between a Black man and a white landlady. The poem uses vivid imagery and sharp dialogue to portray racial prejudice and social irony. It contains thoughtful NCERT questions, answers, and exercises for Class XI
Telephone Conversation - Wole Soyinka | Woven Words Poems Study Guide 2025
Telephone Conversation
Wole Soyinka | Woven Words Poems - Ultimate Study Guide 2025
Introduction to Poems - Woven Words
Poetry is a form of literature that uses aesthetic and often rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. In the Woven Words collection, poems explore diverse themes like identity, society, and human emotions through vivid imagery and satire.
'Telephone Conversation' by Wole Soyinka is a satirical poem highlighting racial prejudice. It belongs to the 'story of character' mode, focusing on psychological tension and social commentary rather than narrative events.
The brevity of poems demands economy in language, yet allows profound depth, as seen in Soyinka's use of dialogue and color metaphors to critique colonialism and racism.
Key Elements
Themes: Racism, identity, satire.
Forms: Dramatic monologue, free verse with dialogue.
Devices: Irony, metaphor, understatement for impact.
Economy: Concise lines pack emotional and social punch.
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Author: Wole Soyinka (born 1934)
Wole Soyinka is a famous Nigerian poet and playwright. He was educated at Government College in Ibadan, Nigeria, and later at Leeds University, England, where he took a degree in English. He taught in London schools and worked in the Royal Court Theatre. He returned to Nigeria at about twenty-five.
He has been a leading figure in Nigerian theatre, writing successful plays and leading a theatrical company. He is the first African to receive the Nobel Prize for Literature (1986). His writings are known for their humour and satire.
Major Works
Plays: A Dance of the Forests, The Lion and the Jewel
Poems: Idanre and Other Poems (1967)
Memoirs: Poems from Prison (1969)
Key Themes
Post-colonial identity and racism
Humour and satire against oppression
African cultural resistance
Style
Witty, ironic; blends African oral traditions with Western forms for sharp social critique.
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Full Poem Text: Telephone Conversation
The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. ‘Madam,’ I warned,
‘I hate a wasted journey—I am African.’
Silence. Silenced transmission of
Pressurised good-breeding. Voice, when it came,
Lipstick coated, long gold-rolled
Cigarette-holder pipped. Caught I was, foully.
‘HOW DARK ?’... I had not misheard... ‘ARE YOU LIGHT
OR VERY DARK ?’ Button B. Button A. Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar-box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis—
‘ARE YOU DARK? OR VERY LIGHT?’ Revelation came.
‘You mean—like plain or milk chocolate?’
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. ‘West African sepia’—and as afterthought,
“down in my passport.” Silence for spectroscopic
Flight of fancy, till truthfulness changed her accent
Hard on the mouthpiece. ‘WHAT’S THAT?’ conceding
‘DON’T KNOW WHAT THAT IS.’ ‘Like brunette.’
‘THAT’S DARK, ISN’T IT?’ ‘Not altogether.
Facially, I am brunette, but madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blonde. Friction, caused—
Foolishly madam—by sitting down, has turned
My bottom raven black—One moment madam!’—sensing
Her receiver rearing on the thunderclap
About my ears—‘Madam,’ I pleaded, ‘wouldn’t you rather
See for yourself ?’
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Poem Summary: English & Hindi (Paraphrase & Overview)
English Summary (Paraphrase)
The poet, an African, inquires about renting an apartment over the phone. The landlady seems agreeable until he reveals his race, prompting shocked silence and a racist query about his skin color. He responds with witty, sarcastic descriptions comparing his complexion to "West African sepia" and body parts to various shades, culminating in an ironic invitation for her to see for herself, exposing her prejudice through humor and understatement.
हिंदी सारांश (संक्षिप्त)
एक अफ्रीकी कवि फोन पर फ्लैट किराए के बारे में पूछता है। लैंडलेडी सहमत लगती है जब तक वह अपनी जाति का खुलासा न करे, जो सदमे की चुप्पी और नस्लीय सवाल—"कितना काला?"—को जन्म देता है। वह हास्यपूर्ण, व्यंग्यात्मक वर्णन से जवाब देता है, अपनी त्वचा को "पश्चिम अफ्रीकी सेपिया" कहकर और शरीर के अंगों को विभिन्न रंगों से तुलना कर, अंत में व्यंग्य से उसे खुद देखने का न्योता देता है, जो उसकी पूर्वाग्रह को उजागर करता है।
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Understanding the Poem
1. State the central issue in the poem.
Answer:
The central issue is racial prejudice and discrimination faced by the African speaker in a Western society, highlighted through the landlady's shocking inquiry about his skin color during a routine rental conversation, satirizing casual racism.
2. There are intervals of silence in the interaction between the landlady and the prospective tenant. What are the reasons for this?
Answer:
Silences stem from the landlady's shock and "pressurised good-breeding" upon hearing the speaker is African, reflecting suppressed racism; the speaker's stunned shame after her blunt "HOW DARK?"; and her confusion over "West African sepia," revealing ignorance and discomfort.
3. How is colour highlighted in the poem and why? List all the words in the poem that suggest colour.
Answer:
Colour is central, symbolizing racial identity and prejudice; the landlady reduces humanity to shades, forcing the speaker to "adjust wave-length" like a commodity. Words: dark, light, very dark, plain/milk chocolate, West African sepia, brunette, peroxide blonde, raven black, red (booth, pillar-box, omnibus).
4. Which are the lines in the poem that impressed you the most and why?
Answer:
"Palm of my hand, soles of my feet / Are a peroxide blonde. Friction, caused— / Foolishly madam—by sitting down, has turned / My bottom raven black": These lines impress with absurd, hyperbolic satire, subverting racism by exaggerating bodily absurdities, turning humiliation into triumphant wit.
Talking about the Poem - Discussion Prompts
Discuss in pairs or small groups
5. You know what ‘hide-and-seek’ is. What would ‘hide-and-speak’ mean?
Discussion Points:
'Hide-and-speak' satirizes anonymous public phone booths as spaces for veiled prejudice—hiding identity while speaking boldly, like the landlady's racist probe; contrasts innocent play with adult cowardice in voicing bias.
6. Certain words in the poem are in capital letters—why?
Discussion Points:
Capitals ("HOW DARK?", "ARE YOU LIGHT OR VERY DARK?") mimic the landlady's shocked, aggressive tone, emphasizing her vulgarity and the speaker's entrapment; heightens dramatic irony, making racism stark and audible.
7. Why do you think that the poet has chosen the title ‘Telephone Conversation’? If you were to suggest another title for the poem, what would it be?
Discussion Points:
Title underscores mundane setting amplifying absurdity of racism—phone as barrier enables blunt prejudice. Alternative: "Shades of Prejudice" or "Racial Bargain," focusing on color metaphors and negotiation.
8. The power of poetry lies in suggestion and understatement. Discuss this with reference to the poem.
Discussion Points:
Soyinka uses understatement ("self-confession") to suggest deep humiliation; suggestions like "spectroscopic flight of fancy" imply scientific racism subtly. This builds satire without overt rage, making critique enduring and reflective.
Appreciation & Analysis
Points to Ponder
Satire: Witty reversal exposes hypocrisy—speaker's color "adjustments" mock landlady's ignorance.
Structure: Dialogue form mimics phone call, building tension through silences and escalations.
Context: Post-colonial critique; Soyinka's Nobel reflects global resonance of anti-racist voice.
Tip: Note irony in "considerate" landlady—understatement amplifies prejudice's banality.
Language Work
Notice these expressions in the poem and guess their meaning from the context
Expression
Meaning
rancid breath
Stale, offensive smell of anonymity in public booth
squelching tar
Omnibus tires on wet road—vivid urban sensory detail
spectroscopic flight of fancy
Imaginative, color-analyzing delusion like scientific fantasy
rearing on the thunderclap
Sudden, explosive shock like thunder
brunette
Dark-haired/complected (used ironically for skin)
peroxide blonde
Artificially lightened hair color (for pale palms/soles)
clinical assent
Cold, detached agreement like medical diagnosis
raven black
Deep, glossy black (for bottom, satirically)
Interactive Quiz - Test Your Understanding
10 MCQs on themes, language, and analysis. Aim for 80%+.
